Monday, September 29, 2014

Exercise #6 - The Jazz Blues Form - ii-V, Minor, Major Triad Embellishment (Jazz Piano)

In this week's jazz piano we take a look at the "Jazz Blues" progression and explain the differences between the "traditional" blues form and the "Jazz Blues" form.





Keep in mind, these exercises are not exclusive to jazz pianists.  All instrumentalists, even advanced ones, can reap the benefits of singing and playing through these improvisation exercises.  Remember to sing accurately and slowly through all keys.  Rushing through each exercise will only add frustration when you are trying apply these concepts later on.

A preview of the the 10-part .pdf download can be viewed here: Chord Tone Improvisation Part 1: Chromatic Embelishments (via Scribd.com).  A download is available be clicking the "Add to Cart" button under the top right hand sidebar.

Wednesday, September 10, 2014

Exercise #5 - Chord Cycle Practice - ii-V, Minor, Major Triad Embellishment (Jazz Piano)

In this jazz piano video lesson we look at how to practice the exercises we've learned so far through other chord cycles.  You should be able to play and attempt to sing all ii-V's, minor and major triad embellishments through these cycles before continuing to Exercise #6.

The cycles we take a look at in this lesson are as follows:

Circle of 5ths

This cycle is essentially the opposite of the circle of 4ths.  Try to think of the circle as a clock.  If you move clockwise you go around the circle of 5ths.  If you move counterclockwise you go around the circle of 4ths.
(via. wikipedia.org)

Chromatic Ascending/Descending

This one is fairly intuitive.  You either ascend or descend through key centers in half steps until you reach all 12 keys.

i.e.  C-C#-D-D#-E-F-F#-G-G#-A-A# (ascending)

Minor 3rds Ascending/Descending

You can think of the key centers in these groups as belonging to three diminished seventh chords.

i.e. C-Eb-Gb-A   /  C#-E-G-Bb  /  D-F-Ab-B

Random Intervals

Either write out a group of random key centers or choose them at will while sitting at your instrument.

All of these techniques are demonstrated in the jazz piano lesson below.



Keep in mind, these exercises are not exclusive to jazz pianists.  All instrumentalists, even advanced ones, can reap the benefits of singing and playing through these improvisation exercises.  Remember to sing accurately and slowly through all keys.  Rushing through each exercise will only add frustration when you are trying apply these concepts later on.

A preview of the the 10-part .pdf download can be viewed here: Chord Tone Improvisation Part 1: Chromatic Embelishments (via Scribd.com).  A download is available be clicking the "Add to Cart" button under the top right hand sidebar.

Friday, August 29, 2014

Exercise #4: Descending Chromatic Embellishments over ii-V (Jazz Piano Lesson)

In this jazz improvisation exercise we continue to look at chromatic embellishments of the ii-V progression.  This time we will play and sing through descending half-step embellishments of the ii-V starting on the root of each chord.  In future exercises we will begin to look at how to apply what we've learned to the Jazz Blues progression.

Keep in mind, these exercises are not exclusive to jazz pianists.  All instrumentalists, even advanced ones, can reap the benefits of singing and playing through these improvisation exercises.  Remember to sing accurately and slowly through all keys.  Rushing through each exercise will only add frustration when you are trying apply these concepts later on.

A preview of the the 10-part .pdf download can be viewed here: Chord Tone Improvisation Part 1: Chromatic Embelishments (via Scribd.com).  A download is available be clicking the "Add to Cart" button under the top right hand sidebar.


Monday, August 25, 2014

Exercise #3: Ascending Chromatic Embellishments over ii-V (Jazz Piano Lesson)

In this jazz improvisation exercise we will begin to add context to our chromatic triad embellishments. In the video jazz piano lesson below we will play and sing through ii-V progression in all 12 keys.  In future exercises we will begin to look at how to apply what we've learned to the Jazz Blues progression.

Keep in mind, these exercises are not exclusive to jazz pianists.  All instrumentalists, even advanced ones, can reap the benefits of singing and playing through these improvisation exercises.  Remember to sing accurately and slowly through all keys.  Rushing through each exercise will only add frustration when you are trying apply these concepts later on.

A preview of the the 10-part .pdf download can be viewed here: Chord Tone Improvisation Part 1: Chromatic Embelishments (via Scribd.com).  A download is available be clicking the "Add to Cart" button under the top right hand sidebar.


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